Composer

:

Lowell Liebermann

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

1992

Average_duration

:

5:33

Lowell Liebermann's Nocturne No. 4, Op. 38 is a solo piano piece that was composed in 1991. It was premiered by pianist Jeffrey Biegel in New York City on November 17, 1991. The piece is divided into three movements, with a total duration of approximately 12 minutes. The first movement, marked "Moderato," begins with a gentle and lyrical melody in the right hand, accompanied by a simple and repetitive left-hand pattern. The melody is then repeated with slight variations, and the left-hand accompaniment becomes more complex. The middle section of the movement features a more agitated and dissonant melody, which gradually builds in intensity before returning to the opening theme. The second movement, marked "Andante con moto," is more introspective and melancholic in character. The right-hand melody is accompanied by a series of arpeggios in the left hand, which create a sense of longing and nostalgia. The middle section of the movement features a more dramatic and virtuosic passage, with rapid runs and arpeggios in both hands. The movement ends with a return to the opening theme, played with greater intensity and passion. The final movement, marked "Allegro con fuoco," is the most energetic and virtuosic of the three. It begins with a series of rapid and syncopated chords in the right hand, accompanied by a driving bass line in the left hand. The middle section of the movement features a more lyrical and expressive melody, which gradually builds in intensity before returning to the opening theme. The movement ends with a series of rapid and virtuosic runs in both hands, bringing the piece to a thrilling conclusion. Overall, Liebermann's Nocturne No. 4, Op. 38 is a highly expressive and virtuosic work that showcases the composer's skill in writing for the piano. The piece combines elements of Romanticism and modernism, with lush harmonies and lyrical melodies juxtaposed with dissonant and complex passages. It is a challenging and rewarding work for pianists, and has become a popular addition to the repertoire of contemporary piano music.

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