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Francisco Correa de Arrauxo
Tiento de medio registro de dos tiples
Works Info
Composer
:
Francisco Correa de Arrauxo
Genre
:
Keyboard
Style
:
Keyboard
Average_duration
:
5:14
Francisco Correa de Arrauxo was a Spanish composer and organist who lived during the late Renaissance period. He is known for his contributions to the development of the Spanish keyboard music, particularly the tiento, which is a type of keyboard composition that originated in Spain during the 16th century. One of his most famous compositions is the "Tiento de medio registro de dos tiples," which was composed in the early 17th century. The piece is written for the organ and is divided into three movements. The first movement is marked "Allegro" and is characterized by its lively and energetic rhythm. The two treble voices play a lively and syncopated melody that is accompanied by a steady bass line. The use of syncopation and the interplay between the two treble voices create a sense of tension and excitement that is typical of the tiento style. The second movement is marked "Largo" and is a stark contrast to the first movement. It is a slow and contemplative piece that features a single treble voice accompanied by a simple bass line. The melody is expressive and lyrical, and the use of dissonance creates a sense of melancholy and introspection. The final movement is marked "Allegro" and is a return to the lively and energetic style of the first movement. The two treble voices play a complex and intricate melody that is accompanied by a fast and virtuosic bass line. The use of counterpoint and the interplay between the two treble voices create a sense of excitement and energy that builds to a thrilling conclusion. Overall, the "Tiento de medio registro de dos tiples" is a masterful example of the tiento style and showcases Correa de Arrauxo's skill as a composer and organist. Its use of syncopation, counterpoint, and dissonance create a sense of tension and excitement that is typical of the tiento style, while its expressive melodies and virtuosic bass lines demonstrate Correa de Arrauxo's mastery of the keyboard. The piece premiered in the early 17th century and remains a popular and influential work in the Spanish keyboard repertoire.
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