Composer

:

Bartlomiej Pekiel

Genre

:

Choral

Style

:

Motet

Average_duration

:

2:51

Assumpta Est Maria, motet a quatre voix is a sacred choral composition by Bartlomiej Pekiel, a Polish composer of the Baroque era. The piece was composed in the early 17th century and is believed to have been premiered in the royal chapel of King Sigismund III Vasa in Warsaw, Poland. The motet is written for four voices, with two sopranos, alto, and bass. It is divided into three movements, each with its own distinct character and musical style. The first movement is a joyful and celebratory setting of the text "Assumpta est Maria in caelum" (Mary has been assumed into heaven). The second movement is a more contemplative and introspective setting of the text "Quasi cedrus exaltata sum" (I am exalted like a cedar). The final movement is a triumphant and majestic setting of the text "Gloriosa facta est Maria" (Mary has been made glorious). The motet is characterized by its rich harmonies, expressive melodies, and intricate counterpoint. Pekiel's use of chromaticism and dissonance adds depth and complexity to the piece, while his skillful handling of the vocal parts creates a sense of unity and coherence. The motet also features a number of virtuosic vocal passages, particularly in the soprano parts, which showcase the singers' technical abilities. Overall, Assumpta Est Maria is a masterful example of Baroque choral music, combining elements of joy, contemplation, and triumph in a single work. Its enduring popularity and continued performance today attest to its lasting appeal and significance in the canon of sacred music.

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