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Herbert Howells
Magnificat and Nunc Dimittis, for men's chorus & organ in E major
Released Album
 
Works Info
Composer
:
Herbert Howells
Genre
:
Choral
Style
:
Choral
Average_duration
:
8:05
Movement_count
:
2
Movement ....
Herbert Howells' Magnificat and Nunc Dimittis for men's chorus and organ in E major was composed in 1952 and premiered on May 8th of the same year at St. Paul's Cathedral in London. The piece is divided into two movements, the Magnificat and the Nunc Dimittis, which are both settings of the biblical texts from the Gospel of Luke. The Magnificat, also known as the Song of Mary, is a hymn of praise that Mary sings after being told by the angel Gabriel that she will give birth to Jesus. Howells' setting of the Magnificat is characterized by its lush harmonies and soaring melodies, which are supported by the rich textures of the organ accompaniment. The piece begins with a gentle, flowing melody in the tenor section, which is then taken up by the full chorus. The music builds in intensity as the text progresses, culminating in a powerful climax on the words "He hath put down the mighty from their seat." The Nunc Dimittis, also known as the Song of Simeon, is a hymn of thanksgiving that Simeon sings after seeing the infant Jesus in the temple. Howells' setting of the Nunc Dimittis is more subdued than the Magnificat, with a simpler melody and more restrained harmonies. The piece begins with a solo baritone singing the opening lines, "Lord, now lettest thou thy servant depart in peace," which are then taken up by the full chorus. The music gradually builds in intensity as the text progresses, with the organ accompaniment providing a sense of grandeur and majesty. Overall, Howells' Magnificat and Nunc Dimittis is a beautiful and moving work that showcases his skill as a composer of choral music. The piece is characterized by its lush harmonies, soaring melodies, and rich textures, which are all supported by the powerful accompaniment of the organ. It remains a popular choice for men's choirs and is widely regarded as one of Howells' finest works.
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