Composer

:

André-Ernest-Modeste Grétry

Genre

:

Opera

Style

:

Opera

Average_duration

:

35:50

"Le Jugement de Midas" is an opera composed by André-Ernest-Modeste Grétry in 1778. The plot is based on the Greek myth of King Midas, who was granted the power to turn everything he touched into gold by the god Dionysus. However, he soon realizes that this gift is a curse, as he cannot eat or drink without turning everything into gold, including his beloved daughter. He begs Dionysus to take back the gift, and the god agrees, but only if Midas can pass a test of musical judgment. The opera premiered on January 23, 1778, at the Théâtre de la Comédie-Italienne in Paris. It was an immediate success, with audiences and critics praising Grétry's catchy melodies and witty libretto. The opera consists of three acts and is sung in French. The first act introduces the characters and sets up the conflict. Midas is portrayed as a greedy and foolish king who is obsessed with gold. He is contrasted with his daughter, Elisa, who is kind and compassionate. The god Dionysus appears and grants Midas his wish, but warns him of the consequences. Midas is initially thrilled with his new power, but soon realizes the downside. The second act is the musical judgment scene, where Midas must choose between two competing musicians. One is a skilled but boring classical musician, while the other is a lively and popular folk musician. Midas chooses the latter, much to the dismay of the classical musician and Dionysus. However, the folk musician turns out to be a disguised Apollo, who praises Midas for his good taste. The third act resolves the conflict and teaches Midas a lesson. Dionysus takes back the gift, and Midas is left with nothing but his daughter's love. He realizes the true value of human relationships and renounces his obsession with gold. The opera ends with a joyful ensemble celebrating Midas's newfound wisdom. "Le Jugement de Midas" is known for its catchy tunes, witty libretto, and moral message. It was one of Grétry's most popular operas and helped establish him as one of the leading composers of his time. The opera reflects the Enlightenment values of reason, taste, and morality, and its popularity shows the appeal of these ideas to the French public.

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