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Jan Pieterszoon Sweelinck
In illo tempore postquam consummati sunt (Cantiones Sacrae No. 22)
Works Info
Composer
:
Jan Pieterszoon Sweelinck
Genre
:
Choral
Style
:
Song
Publication Date
:
1619
Average_duration
:
3:08
Jan Pieterszoon Sweelinck was a Dutch composer and organist of the late Renaissance and early Baroque periods. He was born in 1562 in Deventer, Netherlands, and died in 1621 in Amsterdam. Sweelinck was one of the most important composers of his time, and his music had a significant influence on the development of Baroque music. One of Sweelinck's most famous works is "In illo tempore postquam consummati sunt" (Cantiones Sacrae No. 22), which was composed in 1619. The piece is a motet for five voices, and it is based on a text from the Gospel of John. The premiere of the piece is not known, but it was likely performed in a church in Amsterdam. The motet is divided into three movements. The first movement is a setting of the text "In illo tempore postquam consummati sunt" (At that time, when all things were accomplished), and it is sung by the alto voice. The second movement is a setting of the text "Et inclinato capite" (And bowing his head), and it is sung by the tenor voice. The third movement is a setting of the text "Et spiritum exhalavit" (He gave up the ghost), and it is sung by the bass voice. The characteristics of Sweelinck's "In illo tempore postquam consummati sunt" are typical of his style. The piece is characterized by its rich harmonies, expressive melodies, and intricate counterpoint. Sweelinck was known for his use of chromaticism and dissonance, which give the piece a sense of tension and drama. The motet also features frequent changes in texture and dynamics, which add to its emotional impact. Overall, Sweelinck's "In illo tempore postquam consummati sunt" is a powerful and moving work that showcases the composer's skill and creativity. Its expressive melodies and rich harmonies make it a masterpiece of Renaissance music, and it continues to be performed and admired by musicians and audiences today.
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