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Luigi Nono
Prometeo, Tragedia dell'ascolto
Works Info
Composer
:
Luigi Nono
Genre
:
Opera
Style
:
Opera
Compose Date
:
1984
Average_duration
:
134:24
Movement_count
:
11
Movement ....
Prometeo, Tragedia dell'ascolto is an opera composed by Luigi Nono in 1984. The opera is based on the myth of Prometheus, who stole fire from the gods and gave it to humans, and was punished for his actions. Nono's interpretation of the myth is a reflection on the role of the artist in society and the power of music to inspire change. The opera is divided into two parts, each consisting of several movements. The first part focuses on the myth of Prometheus and his punishment, while the second part explores the idea of revolution and the struggle for freedom. The music is characterized by Nono's use of electronic and acoustic instruments, as well as his incorporation of recorded sounds and spoken texts. The premiere of Prometeo, Tragedia dell'ascolto took place on May 17, 1984, at La Fenice in Venice, Italy. The production was directed by Massimo Cacciari and conducted by Claudio Abbado. The opera was well-received by critics and audiences alike, and has since become a landmark work in contemporary opera. One of the most striking features of Prometeo, Tragedia dell'ascolto is Nono's use of space. The opera is designed to be performed in a large, open area, with the audience seated in the center and the performers surrounding them. This creates a sense of immersion and participation, as the audience becomes part of the performance. Another notable aspect of the opera is Nono's use of language. The libretto is composed of fragments of texts from various sources, including ancient Greek poetry, Marxist theory, and contemporary political speeches. These texts are woven together to create a complex and multi-layered narrative, which explores themes of power, oppression, and resistance. Overall, Prometeo, Tragedia dell'ascolto is a powerful and thought-provoking work of art. Its innovative use of music, space, and language make it a landmark in contemporary opera, and its exploration of timeless themes continues to resonate with audiences today.
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