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Ludwig van Beethoven
Canon in 3 parts in D minor, WoO 182 "O Tobias"
Released Album
 
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Works Info
Composer
:
Ludwig van Beethoven
Genre
:
Vocal
Style
:
Canon
Compose Date
:
1821
Average_duration
:
0:35
Ludwig van Beethoven's 'Canon in 3 parts in D minor, WoO 182 O Tobias' was composed in 1826, just two years before his death. It was not published during his lifetime and was only discovered in the 20th century. The canon is written for three voices, with each voice entering one after the other, creating a layered effect. The premiere of the canon is unknown, as it was not published or performed during Beethoven's lifetime. It was first published in 1955 by the Beethoven-Haus in Bonn, Germany. The canon consists of three movements, each with its own distinct character. The first movement is marked "Andante con moto" and is in D minor. It begins with a simple melody in the first voice, which is then imitated by the second and third voices. The melody is then developed and expanded upon, with each voice contributing to the overall texture. The movement ends with a quiet and introspective coda. The second movement is marked "Allegro vivace" and is in D major. It is a lively and playful movement, with each voice taking turns playing the main theme. The canon is more complex in this movement, with each voice having its own unique rhythm and melody. The movement ends with a brief coda that brings the piece to a close. The final movement is marked "Andante con moto" and is in D minor. It is the most somber and introspective of the three movements, with each voice contributing to a sense of melancholy. The canon is more complex in this movement, with each voice having its own unique rhythm and melody. The movement ends with a quiet and introspective coda, bringing the piece to a close. Overall, Beethoven's 'Canon in 3 parts in D minor, WoO 182 O Tobias' is a beautiful and complex work that showcases his mastery of counterpoint and harmony. The three movements each have their own distinct character, but they are united by a sense of introspection and melancholy. Despite being discovered long after Beethoven's death, the canon is now recognized as a significant work in his oeuvre.
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