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Vladimír Godár
Stabat Mater
Released Album
 
Featured Album
Works Info
Composer
:
Vladimír Godár
Genre
:
Vocal
Style
:
Vocal Music
Compose Date
:
2001
Average_duration
:
19:31
Vladimír Godár's 'Stabat Mater' is a contemporary classical composition that premiered in 2008. The piece is divided into ten movements, each of which is characterized by its unique musical style and emotional intensity. The first movement, 'Stabat Mater Dolorosa,' sets the tone for the entire piece with its mournful and somber melody. The second movement, 'Quis est homo,' is more introspective and contemplative, with a slower tempo and a focus on the individual's relationship with God. The third movement, 'Eia, Mater,' is a more upbeat and hopeful piece, with a faster tempo and a more joyful melody. The fourth movement, 'Tui Nati vulnerati,' returns to the mournful tone of the first movement, with a focus on the suffering of Christ. The fifth movement, 'Fac me vere tecum flere,' is a duet between the soprano and alto voices, with a hauntingly beautiful melody that captures the pain and sorrow of the Virgin Mary. The sixth movement, 'Virgo virginum praeclara,' is a more celebratory piece, with a focus on the glory of the Virgin Mary. The seventh movement, 'Fac ut portem Christi mortem,' is a powerful and emotional piece that captures the weight of Christ's sacrifice. The eighth movement, 'Inflammatus et accensus,' is a more intense and dramatic piece, with a focus on the flames of divine love. The ninth movement, 'Quando corpus morietur,' is a more contemplative and introspective piece, with a focus on the inevitability of death. The final movement, 'Amen,' is a triumphant and joyful piece that celebrates the resurrection of Christ and the hope of eternal life. Overall, Godár's 'Stabat Mater' is a powerful and emotional composition that captures the pain and sorrow of the Virgin Mary and the sacrifice of Christ, while also celebrating the hope of eternal life. Its unique blend of musical styles and emotional intensity make it a standout piece in the contemporary classical repertoire.
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