Composer

:

Samuel Barber

Genre

:

Choral

Style

:

Chorus

Compose Date

:

1968

Average_duration

:

4:05

Samuel Barber's "Twelfth Night, Op. 42/1" is a composition for orchestra that was completed in 1968. The piece was commissioned by the New York Philharmonic and premiered on January 11, 1969, under the direction of Leonard Bernstein. The composition is divided into three movements, each of which is named after a character from Shakespeare's play "Twelfth Night." The first movement, "Malvolio," is characterized by its playful and mischievous tone, which reflects the character's pompous and self-important nature. The movement features a lively and syncopated rhythm, as well as a prominent use of woodwinds and percussion. The second movement, "O Mistress Mine," is a lyrical and romantic piece that is named after a song from the play. The movement features a solo violin that plays a simple and sweet melody, which is then echoed by the rest of the orchestra. The movement is notable for its use of lush harmonies and delicate textures, which create a dreamy and romantic atmosphere. The final movement, "Sir Toby and Sir Andrew," is a lively and energetic piece that is named after two of the play's comic characters. The movement features a fast and frenetic tempo, as well as a prominent use of brass and percussion. The movement is characterized by its playful and humorous tone, which reflects the antics of the two characters. Overall, "Twelfth Night, Op. 42/1" is a lively and colorful composition that showcases Barber's skill as a composer. The piece is notable for its use of playful rhythms, lush harmonies, and delicate textures, which create a vivid and engaging musical landscape.

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