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John Jenkins
Suite (Divisions) for lyra viol consort in D minor
Released Album
 
Works Info
Composer
:
John Jenkins
Genre
:
Chamber
Average_duration
:
9:54
Movement_count
:
8
Movement ....
John Jenkins was a prominent English composer of the early Baroque period, known for his contributions to the development of the viol consort. One of his most famous works is the Suite (Divisions) for lyra viol consort in D minor, which was composed in the mid-17th century. The Suite (Divisions) for lyra viol consort in D minor is believed to have been composed around 1650, during the later part of Jenkins' career. It was likely written for a group of musicians who played the lyra viol, a type of viola da gamba that was popular in England during the 17th century. The Suite (Divisions) is comprised of several movements, each with its own distinct character and style. The first movement is a prelude, which sets the tone for the rest of the piece. It is followed by a series of dances, including a courante, a sarabande, and a gigue. These movements are typical of the Baroque dance suite, which was a popular form of instrumental music during the 17th and 18th centuries. One of the most notable characteristics of the Suite (Divisions) is its use of intricate ornamentation and improvisation. The lyra viol was known for its ability to produce a wide range of expressive and virtuosic effects, and Jenkins takes full advantage of this in his writing. The music is filled with elaborate runs, trills, and other embellishments, which give the piece a lively and energetic feel. Another characteristic of the Suite (Divisions) is its use of counterpoint. Jenkins was a master of polyphonic writing, and he weaves together multiple melodic lines in a way that is both complex and harmonically rich. This creates a sense of depth and complexity in the music, which rewards careful listening and attention to detail. The Suite (Divisions) for lyra viol consort in D minor was likely premiered in a private setting, perhaps at the home of a wealthy patron or at a gathering of musicians. Despite its relatively small audience, the piece has endured as a testament to Jenkins' skill as a composer and his contributions to the development of the viol consort. Today, it is still performed and studied by musicians and scholars around the world.
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