Composer

:

Fanny Mendelssohn

Genre

:

Vocal

Style

:

Vocal Music

Average_duration

:

3:19

'Lass fahren hin das Allzuflüchtige' is a choral work composed by Fanny Mendelssohn in 1846. The piece was premiered in Berlin on March 15, 1846, and was performed by the Berlin Singakademie. The work is divided into three movements, each with its own unique characteristics. The first movement, marked "Allegro con fuoco," is a lively and energetic piece that features a driving rhythm and soaring melodies. The choir sings in unison, with occasional harmonies, and the music is characterized by its use of syncopation and dynamic contrasts. The text of the movement is taken from a poem by Johann Wolfgang von Goethe, and it speaks of the fleeting nature of life and the need to seize the moment. The second movement, marked "Andante con moto," is a more contemplative piece that features a slower tempo and more complex harmonies. The choir sings in four-part harmony, and the music is characterized by its use of chromaticism and modulations. The text of the movement is taken from a poem by Friedrich Rückert, and it speaks of the beauty of nature and the need to appreciate it while it lasts. The third movement, marked "Allegro vivace," is a joyful and celebratory piece that features a fast tempo and lively rhythms. The choir sings in four-part harmony, and the music is characterized by its use of syncopation and dynamic contrasts. The text of the movement is taken from a poem by Heinrich Heine, and it speaks of the joy of life and the need to live it to the fullest. Overall, 'Lass fahren hin das Allzuflüchtige' is a powerful and moving choral work that showcases Fanny Mendelssohn's skill as a composer. The piece is characterized by its use of dynamic contrasts, complex harmonies, and soaring melodies, and it speaks to the universal themes of the fleeting nature of life and the need to seize the moment.

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