Composer

:

Manuel Cardoso

Genre

:

Vocal

Average_duration

:

2:40

Title: "Cum audisset Johannes" by Manuel Cardoso$$$Date and Premiere:n"Cum audisset Johannes" is a sacred choral composition composed by Manuel Cardoso, a Portuguese composer of the late Renaissance period. The exact date of composition is not known, but it is believed to have been composed in the early 17th century. The piece was likely premiered in a religious setting, possibly during a liturgical service or a special occasion.$$$Movements:n"Cum audisset Johannes" is a motet, a polyphonic choral composition typically based on a biblical text. It consists of a single movement, following the traditional structure of Renaissance motets. The piece is written for four voices, typically divided into soprano, alto, tenor, and bass parts.$$$Characteristics:nCardoso's "Cum audisset Johannes" showcases the composer's mastery of Renaissance polyphony and his ability to create rich and expressive choral textures. The composition is characterized by its contrapuntal writing, where each voice has an independent melodic line that weaves together harmonically. The piece features imitative counterpoint, where melodic ideas are passed between the voices, creating a sense of unity and coherence.$$$The text of "Cum audisset Johannes" is based on the biblical account of the beheading of John the Baptist. The composition captures the dramatic and emotional aspects of the story through its use of expressive harmonies and dynamic contrasts. Cardoso skillfully employs dissonance and resolution to convey the tension and sorrow associated with the narrative.$$$The vocal lines in "Cum audisset Johannes" are often ornamented with melismatic passages, where a single syllable is extended over multiple notes. This technique adds a sense of virtuosity and embellishment to the composition, highlighting the technical abilities of the singers.$$$Overall, "Cum audisset Johannes" is a poignant and evocative choral work that exemplifies Manuel Cardoso's skill as a composer of sacred music. Its expressive melodies, intricate counterpoint, and emotional depth make it a significant contribution to the Renaissance choral repertoire.

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