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Harrison Birtwistle
Duets for Storab
Works Info
Composer
:
Harrison Birtwistle
Genre
:
Chamber
Style
:
Chamber Music
Compose Date
:
1983
Average_duration
:
13:12
Movement_count
:
6
Movement ....
Duets for Storab is a contemporary classical composition by British composer Harrison Birtwistle. The piece was composed in 1995 and premiered on October 26, 1995, at the Wigmore Hall in London. The composition consists of six movements and is scored for two voices and piano. The piece is based on a series of poems by Scottish poet Ian Hamilton Finlay, which explore the relationship between the mythical creature Storab and the natural world. Birtwistle's music is characterized by its complex rhythms, dissonant harmonies, and use of extended vocal techniques. The first movement, "Storab's Song," features a solo voice singing a melody that is later echoed by the second voice. The piano provides a sparse accompaniment, with occasional dissonant chords. The second movement, "The Wind," features the two voices singing in unison, with the piano providing a driving, rhythmic accompaniment. The vocal lines are characterized by their use of glissandi and other extended techniques. The third movement, "The Sea," is a slow, atmospheric piece that features the two voices singing in close harmony. The piano provides a shimmering, watery accompaniment. The fourth movement, "The Sun," is a lively, rhythmic piece that features the two voices singing in counterpoint. The piano provides a driving, syncopated accompaniment. The fifth movement, "The Moon," is a haunting, atmospheric piece that features the two voices singing in close harmony. The piano provides a sparse, ethereal accompaniment. The final movement, "Storab's Farewell," features the two voices singing in unison, with the piano providing a mournful accompaniment. The vocal lines are characterized by their use of glissandi and other extended techniques. Overall, Duets for Storab is a challenging and complex piece that showcases Birtwistle's unique compositional style. The use of extended vocal techniques and dissonant harmonies creates a haunting, otherworldly atmosphere that perfectly complements Finlay's mystical poetry.
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