Composer

:

Arthur Sullivan

Genre

:

Choral

Style

:

Choral

Compose Date

:

1880

Publication Date

:

1899

The Martyr of Antioch is an oratorio composed by Arthur Sullivan, with a libretto by W. S. Gilbert. It was first performed on October 3, 1880, at the Leeds Festival. The oratorio is divided into three movements and tells the story of the Christian martyr, Saint Margaret of Antioch. The first movement, titled "The Pagan World," sets the scene in Antioch, where Margaret is born. The music is dark and foreboding, reflecting the pagan world in which Margaret lives. The chorus sings of the gods and goddesses worshipped by the pagans, while Margaret's mother sings a lullaby to her newborn daughter. The second movement, titled "The Christian Faith," introduces the Christian religion to the story. Margaret converts to Christianity and is baptized, much to the dismay of her father, who is a pagan priest. The music becomes more uplifting and joyful as Margaret embraces her new faith. The chorus sings of the love and mercy of Christ, while Margaret sings a solo about her newfound faith. The third movement, titled "The Martyrdom," tells the story of Margaret's persecution and eventual martyrdom. The music is dramatic and intense, reflecting the violence and brutality of the Roman Empire. Margaret is tortured and killed for refusing to renounce her faith, but her spirit lives on. The chorus sings of the triumph of the Christian faith, while Margaret's soul ascends to heaven. The Martyr of Antioch is a powerful and emotional work, showcasing Sullivan's skill as a composer. The music is rich and complex, with intricate harmonies and soaring melodies. The oratorio is a testament to the enduring power of faith and the courage of those who are willing to die for their beliefs.

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