Composer

:

Jean-Baptiste Lully

Genre

:

Choral

Style

:

Motet

Average_duration

:

7:17

Jean-Baptiste Lully's 'Dixit Dominus, LWV 77/3' is a grand motet composed in 1677 for the Chapel Royal of Versailles. The piece is divided into six movements, each with its own unique characteristics. The first movement, 'Dixit Dominus', is a powerful and majestic opening that sets the tone for the entire piece. The choir sings in unison, accompanied by a full orchestra, creating a sense of grandeur and awe. The second movement, 'Donec ponam', is a more subdued and contemplative section. The choir sings in a more restrained manner, with the orchestra providing a gentle accompaniment. The third movement, 'Virgam virtutis', is a lively and energetic section that features a solo soprano singing a virtuosic aria. The orchestra provides a lively accompaniment, with the choir joining in for the final section. The fourth movement, 'Tecum principium', is a duet between two soloists, a soprano and a bass. The two voices intertwine in a beautiful and intricate melody, accompanied by a delicate orchestral accompaniment. The fifth movement, 'Juravit Dominus', is a powerful and dramatic section that features the full choir and orchestra. The choir sings in a more declamatory style, with the orchestra providing a driving and intense accompaniment. The final movement, 'Dominus a dextris tuis', is a triumphant and celebratory section that brings the piece to a rousing conclusion. The choir and orchestra combine to create a sense of joy and exultation, with the soloists adding their own flourishes to the final section. Overall, 'Dixit Dominus, LWV 77/3' is a stunning example of Lully's mastery of the grand motet form. The piece showcases his ability to create a sense of grandeur and majesty, while also incorporating more intimate and contemplative moments. The use of soloists and duets adds a sense of variety and complexity to the piece, while the full choir and orchestra create a sense of power and intensity.

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