Composer

:

Johann Hermann Schein

Genre

:

Choral

Style

:

Magnificat

Publication Date

:

1626

Average_duration

:

6:11

Johann Hermann Schein's Magnificat (Opella nova, Part 2, No. 26) is a sacred choral work that was composed in the early 17th century. The piece was first published in 1618 and was likely composed a few years prior. The Magnificat is a setting of the biblical text known as the Song of Mary, which is found in the Gospel of Luke. The text is a hymn of praise to God, and Schein's setting of it is a beautiful example of the German Baroque style. The Magnificat is divided into eight movements, each of which is based on a different section of the text. The first movement is an instrumental introduction, which sets the tone for the piece with its lively and joyful character. The second movement is a choral setting of the first verse of the text, which is sung by the choir in unison. The third movement is a duet for two sopranos, which is a setting of the second verse of the text. The duet is accompanied by a continuo of organ and bass instruments. The fourth movement is a choral setting of the third verse of the text, which is sung by the choir in four parts. The fifth movement is a solo for alto, which is a setting of the fourth verse of the text. The solo is accompanied by a continuo of organ and bass instruments. The sixth movement is a choral setting of the fifth verse of the text, which is sung by the choir in four parts. The seventh movement is a duet for two tenors, which is a setting of the sixth verse of the text. The duet is accompanied by a continuo of organ and bass instruments. The eighth and final movement is a choral setting of the seventh verse of the text, which is sung by the choir in four parts. The Magnificat ends with a repeat of the instrumental introduction, bringing the piece full circle. Schein's Magnificat is characterized by its lively and joyful character, which is typical of the German Baroque style. The piece is also notable for its use of contrasting textures, with solo and choral sections alternating throughout the work. The use of continuo accompaniment is also a hallmark of the Baroque style, and Schein's use of organ and bass instruments provides a rich and full sound to the piece. Overall, Schein's Magnificat is a beautiful example of the German Baroque style, and its joyful character and rich textures make it a beloved piece of sacred choral music.

More....