Composer

:

Bernard Rose

Style

:

Magnificat

Average_duration

:

4:52

Bernard Rose's Magnificat in E is a choral work that was composed in 1957. It was premiered on May 22, 1958, at St. Alban's Abbey in Hertfordshire, England. The piece is divided into six movements, each of which is based on a different section of the Magnificat, a hymn of praise to the Virgin Mary. The first movement, "Magnificat anima mea Dominum," is a joyful and exuberant setting of the opening lines of the Magnificat. The choir sings in unison, with the organ providing a lively accompaniment. The second movement, "Et exultavit spiritus meus," is a more subdued and introspective piece. The choir sings in four-part harmony, with the organ providing a gentle and flowing accompaniment. The third movement, "Quia respexit humilitatem," is a solo for alto or mezzo-soprano. The soloist sings a beautiful and expressive melody, accompanied by the organ. The fourth movement, "Quia fecit mihi magna," is a lively and rhythmic piece. The choir sings in four-part harmony, with the organ providing a lively and energetic accompaniment. The fifth movement, "Et misericordia," is a duet for soprano and alto. The two voices intertwine in a beautiful and expressive melody, accompanied by the organ. The final movement, "Gloria Patri," is a triumphant and joyful setting of the doxology. The choir sings in four-part harmony, with the organ providing a majestic and celebratory accompaniment. Overall, Rose's Magnificat in E is a beautiful and expressive choral work that showcases the composer's skill in writing for voices and organ. The piece is characterized by its joyful and exuberant tone, as well as its expressive and introspective moments.

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