Composer

:

Amy Beach

Genre

:

Vocal

Style

:

Song

Compose Date

:

1941

Publication Date

:

1941

Average_duration

:

3:13

"Though I Take the Wings of Morning, Op. 152" is a choral work composed by Amy Beach in 1921. The piece was premiered on May 4, 1921, by the Cecilia Society of Boston, with the composer conducting. The work is divided into three movements, each with its own unique characteristics. The first movement, marked "Andante con moto," is a setting of Psalm 139:7-12. The movement begins with a solo soprano singing the opening line, "Whither shall I go from thy spirit?" The choir then enters, singing in unison, before breaking into four-part harmony. The movement is characterized by its lush harmonies and expressive melodies, which convey the sense of wonder and awe expressed in the psalm. The second movement, marked "Allegro con fuoco," is a setting of Psalm 139:13-18. This movement is much more energetic than the first, with driving rhythms and bold harmonies. The choir sings in four-part harmony throughout, with occasional solo passages. The movement ends with a triumphant declaration of faith, as the choir sings, "I will praise thee, for I am fearfully and wonderfully made." The final movement, marked "Andante espressivo," is a setting of Psalm 23. This movement is the most introspective of the three, with a gentle, flowing melody that evokes the peacefulness of the psalm. The choir sings in four-part harmony throughout, with occasional solo passages. The movement ends with a quiet, contemplative coda, as the choir sings, "Surely goodness and mercy shall follow me all the days of my life." Overall, "Though I Take the Wings of Morning, Op. 152" is a powerful and moving work that showcases Amy Beach's skill as a composer. The piece is characterized by its lush harmonies, expressive melodies, and powerful sense of faith and wonder. It remains a beloved work in the choral repertoire to this day.

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