Composer

:

Wolfgang Rihm

Genre

:

Orchestral

Style

:

Orchestral

Compose Date

:

1995 - 1996

First Performance

:

Apr 13, 1996

Average_duration

:

13:20

'Gejagte Form (Version 1)' is a contemporary classical composition by German composer Wolfgang Rihm. The piece was composed in 1989 and premiered on October 22, 1989, in Donaueschingen, Germany. The composition is a part of Rihm's larger work, 'Jagden und Formen,' which is a cycle of six pieces for orchestra. 'Gejagte Form (Version 1)' is a single-movement piece that lasts approximately 15 minutes. The composition is characterized by its intense and dramatic sound, which is created through the use of dissonant harmonies, complex rhythms, and a wide range of orchestral colors. The piece is scored for a large orchestra, including strings, woodwinds, brass, percussion, and harp. The composition is divided into several sections, each of which explores different musical ideas and textures. The opening section features a series of dissonant chords that gradually build in intensity, creating a sense of tension and unease. This tension is then released in a frenzied section that features rapid, rhythmic figures in the strings and percussion. The middle section of the piece is more introspective, featuring a haunting melody in the woodwinds and a delicate, shimmering texture in the strings. This section gradually builds in intensity, leading to a powerful climax that features the full orchestra. The final section of the piece is a return to the frenzied energy of the opening, with the orchestra building to a final, explosive climax. Throughout the composition, Rihm uses a wide range of orchestral colors and textures, creating a constantly shifting and evolving sound world. Overall, 'Gejagte Form (Version 1)' is a powerful and intense composition that showcases Rihm's skill as a composer. The piece is characterized by its complex rhythms, dissonant harmonies, and dramatic orchestration, creating a sense of tension and unease that is both thrilling and unsettling.

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