Composer

:

Thomas Morley

Genre

:

Choral

Style

:

Choral

Compose Date

:

before 1595

Publication Date

:

1595

Average_duration

:

1:43

"Sweet nimphe, come to thy lover" is a madrigal composed by Thomas Morley, an English composer, organist, and theorist of the Renaissance era. The piece was composed in the late 16th century, around 1595, and was first published in his collection of madrigals, "The Triumphs of Oriana" in 1601. The madrigal is written for five voices, with the text being a poem by Thomas Watson. The piece is in the key of G major and is in a lively triple meter. The piece is divided into three sections, with each section having its own distinct character. The first section begins with a lively and joyful melody, with the voices singing in unison. The melody is then passed between the different voices, creating a playful and light-hearted atmosphere. The second section is more subdued, with the voices singing in a more homophonic style. The melody is still present, but it is now accompanied by a more complex harmonic structure. The final section returns to the lively and joyful character of the first section, with the voices once again singing in unison. The melody is once again passed between the different voices, creating a sense of excitement and energy. The piece ends with a final flourish, bringing the madrigal to a close. Overall, "Sweet nimphe, come to thy lover" is a charming and delightful madrigal, showcasing Morley's skill as a composer. The piece is characterized by its lively and joyful melody, complex harmonic structure, and playful use of voice leading. It remains a popular piece in the madrigal repertoire to this day.

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