Composer

:

Jeanne Demessieux

Genre

:

Keyboard

Style

:

Chant

Compose Date

:

1954

Average_duration

:

36:09

Movement_count

:

12

Movement ....

Jeanne Demessieux's 'Chorale Preludes (12), Op. 8' is a collection of twelve organ pieces that were composed in 1943. The work was premiered by Demessieux herself on May 23, 1944, at the Church of Saint-Sulpice in Paris. The 'Chorale Preludes' are considered to be one of Demessieux's most significant works and showcase her mastery of the organ. The twelve movements of the 'Chorale Preludes' are based on traditional Lutheran chorales, which were a significant influence on Demessieux's music. Each movement is a short prelude that explores the melody and harmonies of the chorale. The pieces are arranged in a way that creates a sense of progression, with the first few movements being more straightforward and the later ones becoming more complex. One of the characteristics of the 'Chorale Preludes' is Demessieux's use of counterpoint. She weaves intricate melodies and harmonies together, creating a rich and complex texture. Another characteristic is her use of registration, which refers to the selection of stops on the organ. Demessieux uses a wide range of stops to create different colors and moods throughout the work. The 'Chorale Preludes' are also notable for their technical demands. Demessieux was a virtuoso organist, and she wrote these pieces to showcase her own abilities. The pieces require a high level of skill and precision, particularly in the use of the pedals. Overall, Jeanne Demessieux's 'Chorale Preludes (12), Op. 8' is a significant work in the organ repertoire. It showcases Demessieux's mastery of the instrument and her ability to create complex and beautiful music. The work remains popular among organists today and is considered a cornerstone of the French organ tradition.

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