Composer

:

Max Reger

Genre

:

Keyboard

Style

:

Chorale Prelude

Compose Date

:

1902

Average_duration

:

0:56

Max Reger's Chorale Prelude "Wer nur den lieben Gott läßt walten" (He who lets dear God rule alone) is a piece for organ, Op. 67/48. It was composed in 1902 and premiered on October 26, 1902, in the St. Paul's Church in Frankfurt, Germany. The piece is structured in three movements, with the first and third movements being variations on the chorale melody, and the second movement being a free interlude. The first movement is marked "Andante con moto" and features a gentle, flowing melody in the right hand, accompanied by a steady, pulsing bass line in the left hand. The second movement is marked "Allegro ma non troppo" and is more virtuosic, with rapid runs and arpeggios in both hands. The third movement is marked "Andante" and returns to the gentle, flowing melody of the first movement, but with added ornamentation and embellishment. Reger's Chorale Prelude is characterized by its rich harmonies, complex counterpoint, and virtuosic organ writing. The piece showcases Reger's mastery of the organ, with its intricate textures and use of the full range of the instrument. The chorale melody is treated with great reverence, but also with a sense of exploration and experimentation, as Reger pushes the boundaries of traditional harmony and form. Overall, Reger's Chorale Prelude "Wer nur den lieben Gott läßt walten" is a masterful work for organ, showcasing the composer's unique voice and innovative approach to traditional forms.

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