Composer

:

Jean-Henri d'Anglebert

Genre

:

Keyboard

Style

:

Fugue

Average_duration

:

1:50

Jean-Henri d'Anglebert was a French composer and harpsichordist who lived from 1629 to 1691. He was a prominent figure in the French Baroque music scene and was known for his keyboard compositions. One of his most famous works is the "Quatrieme Fugue sur le Même Sujet," which translates to "Fourth Fugue on the Same Subject." The "Quatrieme Fugue sur le Même Sujet" was composed in the late 17th century and was first performed in Paris. The exact date of its composition and premiere is unknown, but it is believed to have been written sometime between 1689 and 1693. The piece is a keyboard fugue, which means that it is a contrapuntal composition in which a single theme is introduced and then developed throughout the piece. The "Quatrieme Fugue sur le Même Sujet" is divided into four movements, each of which is based on the same subject. The first movement is a simple exposition of the theme, with each voice entering in turn. The second movement is a development of the theme, with the voices weaving in and out of each other in a complex and intricate manner. The third movement is a recapitulation of the theme, with the voices returning to their original order. The final movement is a coda, in which the theme is played in a more elaborate and ornamental manner. One of the characteristics of the "Quatrieme Fugue sur le Même Sujet" is its use of counterpoint. Counterpoint is a technique in which two or more melodies are played simultaneously, creating a complex and harmonically rich sound. D'Anglebert was a master of counterpoint, and this is evident in the "Quatrieme Fugue sur le Même Sujet." Another characteristic of the piece is its use of ornamentation. D'Anglebert was known for his use of ornamentation in his keyboard compositions, and the "Quatrieme Fugue sur le Même Sujet" is no exception. The piece is filled with trills, mordents, and other embellishments that add to its beauty and complexity. Overall, the "Quatrieme Fugue sur le Même Sujet" is a masterpiece of Baroque keyboard music. Its intricate counterpoint and ornamental flourishes make it a challenging and rewarding piece to play, and its beauty and complexity continue to captivate audiences to this day.

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