Composer

:

Johann Hermann Schein

Genre

:

Choral

Style

:

Choral

Publication Date

:

1615

Average_duration

:

6:11

Johann Hermann Schein's 'Quem vidistis, pastores (Cymbalum Sionium)' is a sacred motet that was composed in the early 17th century. The piece was first performed in Leipzig in 1620 and has since become a staple of the Christmas choral repertoire. The motet is divided into four movements, each of which is characterized by its own unique musical style and structure. The first movement is a lively and joyful chorus that sets the tone for the entire piece. The second movement is a solo aria that features a soprano or tenor voice accompanied by a simple instrumental ensemble. The third movement is a duet that features two voices singing in harmony, while the fourth and final movement is a grand chorus that brings the piece to a triumphant conclusion. One of the most notable characteristics of 'Quem vidistis, pastores' is its use of polyphony, which is a musical technique that involves the simultaneous use of multiple independent melodies. Schein's use of polyphony creates a rich and complex texture that is both beautiful and awe-inspiring. Another characteristic of the piece is its use of dynamic contrasts, which is a technique that involves varying the volume and intensity of the music. Schein uses dynamic contrasts to great effect in 'Quem vidistis, pastores', creating moments of quiet contemplation and moments of exuberant celebration. Overall, 'Quem vidistis, pastores (Cymbalum Sionium)' is a masterpiece of sacred choral music that continues to captivate audiences to this day. Its combination of intricate polyphony, dynamic contrasts, and joyful celebration make it a perfect addition to any Christmas choral program.

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