Composer

:

Maximo Diego Pujol

Genre

:

Chamber

Style

:

Chamber Music

Average_duration

:

10:47

Movement_count

:

2

Movement ....

'Dos Aires candomberos' is a guitar duo composed by Maximo Diego Pujol, an Argentine composer and guitarist. The piece was composed in 1999 and premiered in Buenos Aires, Argentina, in the same year. It consists of two movements, each with its own distinct characteristics. The first movement, titled 'Candombe en mi', is a lively and rhythmic piece that draws inspiration from the traditional Uruguayan and Argentinean music genre of candombe. The candombe is a type of music and dance that originated in the African communities of Uruguay and Argentina during the colonial period. It is characterized by the use of drums, which are played in a specific rhythm, and the incorporation of African dance movements. Pujol's 'Candombe en mi' captures the essence of this genre with its syncopated rhythms, percussive strumming, and use of dissonant harmonies. The piece is full of energy and excitement, and it showcases the virtuosity of the guitarists. The second movement, titled 'Candombe en do', is a more introspective and melancholic piece that explores the emotional depth of the candombe. The piece begins with a slow and mournful melody that is played in unison by both guitars. As the piece progresses, the melody becomes more complex, and the guitars engage in a dialogue that is both harmonious and dissonant. The use of harmonics and tremolo picking adds to the haunting quality of the piece. The movement ends with a return to the original melody, which is played with a sense of resignation and acceptance. Overall, 'Dos Aires candomberos' is a masterful composition that showcases Pujol's skill as a composer and guitarist. The piece draws on the rich musical traditions of Uruguay and Argentina and infuses them with Pujol's unique voice. The contrast between the two movements, one lively and energetic, the other introspective and melancholic, creates a dynamic and engaging listening experience.

More....