Charles Mackerras
The Lady and the Fool (after Verdi)
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Composer:Charles MackerrasGenre:BalletStyle:SuiteAverage_duration:54:09Movement_count:16Movement ....The Lady and the Fool (after Verdi) is a ballet composed by Charles Mackerras in 1954. The plot is based on the story of a noblewoman who falls in love with a clown. The ballet is divided into three movements, each of which is based on a different Verdi opera. The first movement is based on the opera Rigoletto and is set in a grand ballroom. The Lady, a beautiful and wealthy noblewoman, is attending a ball when she catches the eye of the Fool, a clown who has been hired to entertain the guests. Despite the disapproval of her friends and family, the Lady is drawn to the Fool's charm and wit. The second movement is based on the opera La Traviata and takes place in a garden. The Lady and the Fool have fallen deeply in love, but their relationship is threatened by the Lady's social status and the disapproval of her family. The Fool tries to convince the Lady to run away with him, but she is torn between her love for him and her duty to her family. The third movement is based on the opera Falstaff and is set in a tavern. The Lady and the Fool have eloped and are living together in a small village. However, their happiness is short-lived as the Lady's family tracks them down and demands that she return home. The Fool is heartbroken but ultimately accepts that he and the Lady can never be together. The Lady and the Fool (after Verdi) premiered on June 17, 1954, at the Royal Opera House in London. The ballet is known for its intricate choreography and the use of Verdi's music to tell a compelling story. The characters are well-developed and the audience is able to empathize with their struggles and emotions. Overall, The Lady and the Fool (after Verdi) is a beautiful and tragic ballet that explores the themes of love, class, and duty. It is a testament to the enduring power of Verdi's music and the creativity of Charles Mackerras as a composer and choreographer.More....
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