Composer

:

Terry Riley

Genre

:

Chamber

Style

:

Chamber Music

Compose Date

:

1973 - 1981

Average_duration

:

10:25

"Sunrise of the Planetary Dream Collector" is a composition by American composer Terry Riley. It was composed in 1980 and premiered on October 10, 1980, at the Brooklyn Academy of Music in New York City. The piece is divided into three movements and has a total duration of approximately 70 minutes. The first movement, titled "The Earth's Magnetic Field," is characterized by a pulsating rhythm and a repetitive melodic motif played on the piano. The music gradually builds in intensity, with the addition of electronic sounds and a driving drumbeat. The movement evokes the energy and power of the earth's magnetic field, and the sense of movement and change that it creates. The second movement, "The Dream Collector," is more introspective and contemplative. It features a slow, meditative melody played on the saxophone, accompanied by gentle piano chords and electronic sounds. The movement has a dreamlike quality, with the saxophone melody evoking a sense of longing and nostalgia. The final movement, "The Hall of Mirrors in the Palace at Versailles," is the most complex and varied of the three. It begins with a fast, frenetic rhythm played on the piano, which gradually gives way to a more contemplative section featuring the saxophone and electronic sounds. The movement then builds to a climax, with a driving drumbeat and a cacophony of electronic sounds and piano chords. The movement ends with a return to the contemplative saxophone melody, bringing the piece to a peaceful and reflective conclusion. Overall, "Sunrise of the Planetary Dream Collector" is a complex and multi-layered composition that combines elements of classical music, jazz, and electronic music. It is characterized by its use of repetitive motifs, driving rhythms, and electronic sounds, as well as its evocative and dreamlike melodies. The piece is a testament to Terry Riley's innovative and experimental approach to music, and remains a landmark work in the history of contemporary classical music.

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