Composer

:

Gregorian Chant

Genre

:

Chamber

Style

:

Psalm

Average_duration

:

2:37

"Laeva ejus sub capite meo" is an antiphon with Psalm 112 "Laudate pueri" from the Gregorian Chant repertoire. It is believed to have been composed in the 8th century and is still performed in Catholic liturgy today. The antiphon is typically sung before and after the Psalm, which is a hymn of praise to God. The text of the antiphon translates to "His left hand is under my head, and his right hand shall embrace me." This imagery is often interpreted as a symbol of God's protection and love for his people. The piece is divided into two movements, with the antiphon serving as the first movement and the Psalm as the second. The antiphon is sung in a simple, chant-like melody, with a focus on clear enunciation and a steady rhythm. The Psalm, on the other hand, is more complex, with a greater range of notes and more elaborate melodic patterns. One of the defining characteristics of Gregorian Chant is its use of modal scales, which are different from the major and minor scales used in Western music. The mode used in "Laeva ejus sub capite meo" is Mode 1, also known as the Dorian mode. This mode is characterized by a descending half-step between the second and third notes of the scale, which gives it a unique sound. Overall, "Laeva ejus sub capite meo" is a beautiful and meditative piece of music that has been cherished by Catholics for centuries. Its simple yet profound lyrics and haunting melody continue to inspire and uplift listeners today.

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