Chiara Margarita Cozzolani
Maria Magdalene stabat
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Composer:Chiara Margarita CozzolaniGenre:ChamberStyle:Chamber MusicAverage_duration:8:21Maria Magdalene Stabat is a sacred vocal composition composed by Chiara Margarita Cozzolani, an Italian Baroque composer and singer. The piece was composed in the mid-17th century and was premiered in the convent of Santa Radegonda in Milan, where Cozzolani was a nun and the music director. The composition is a setting of the Latin text "Stabat Mater Dolorosa," which describes the sorrowful scene of Mary Magdalene standing at the foot of the cross during the crucifixion of Jesus. The piece is divided into ten movements, each of which reflects a different aspect of the scene and the emotions of Mary Magdalene. The first movement, "Stabat Mater Dolorosa," sets the scene with a mournful melody and a slow, steady rhythm. The second movement, "Cuius Animam Gementem," is a duet between two voices that expresses the pain and suffering of Jesus on the cross. The third movement, "O Quam Tristis," is a solo that reflects on the sadness and despair of Mary Magdalene. The fourth movement, "Quae Moerebat," is a trio that describes the grief of Mary, the mother of Jesus. The fifth movement, "Vidit Suum Dulcem Natum," is a solo that expresses the sorrow of Mary as she sees her son dying on the cross. The sixth movement, "Eia Mater," is a duet that calls on Mary to console her son in his suffering. The seventh movement, "Fac Ut Ardeat," is a solo that expresses the desire to share in the suffering of Jesus. The eighth movement, "Sancta Mater," is a trio that praises Mary as the mother of Jesus. The ninth movement, "Tui Nati Vulnerati," is a duet that reflects on the wounds of Jesus and the pain he endured. The final movement, "Fac Ut Portem," is a solo that expresses the desire to carry the cross of Jesus and share in his suffering. Throughout the piece, Cozzolani uses a variety of musical techniques to convey the emotions of the text, including dissonance, chromaticism, and expressive melodic lines. Overall, Maria Magdalene Stabat is a powerful and moving composition that reflects the deep religious devotion and artistic skill of Chiara Margarita Cozzolani.More....
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