Composer

:

Francisco Correa de Arrauxo

Genre

:

Keyboard

Style

:

Keyboard

Average_duration

:

4:48

Francisco Correa de Arrauxo was a Spanish composer and organist who lived during the late Renaissance period. He is known for his contributions to the development of keyboard music in Spain, particularly for his works for the organ. One of his most famous compositions is the "Segundo tiento de medio registro de tiple de quarto tono," which was composed in the early 17th century. The "Segundo tiento de medio registro de tiple de quarto tono" is a keyboard piece that was written for the organ. It is part of a collection of works that Correa de Arrauxo composed for the instrument, which includes toccatas, fantasias, and other types of keyboard music. The piece is written in the key of D, and it is in the form of a tiento, which is a type of keyboard composition that was popular in Spain during the Renaissance. The "Segundo tiento de medio registro de tiple de quarto tono" is divided into several movements, each of which has its own distinct character. The first movement is marked "Allegro," and it is a lively and energetic piece that features fast runs and arpeggios. The second movement is marked "Adagio," and it is a slower and more contemplative piece that features a beautiful melody played in the upper register of the keyboard. The third movement is marked "Allegro," and it is a return to the fast and energetic style of the first movement. One of the most distinctive characteristics of the "Segundo tiento de medio registro de tiple de quarto tono" is its use of the tiple de quarto tono, which is a type of organ stop that produces a sound that is a quarter-tone higher than the standard pitch. This gives the piece a unique and exotic quality that is not found in other keyboard music of the period. The piece also features a number of virtuosic passages that showcase the technical abilities of the performer. The "Segundo tiento de medio registro de tiple de quarto tono" was premiered in the early 17th century, and it quickly became one of Correa de Arrauxo's most popular works. It has since been performed and recorded by many organists, and it remains a beloved piece of Spanish keyboard music to this day.

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