Composer

:

Wilhelm Friedemann Bach

Genre

:

Keyboard

Style

:

Keyboard

Average_duration

:

4:02

Wilhelm Friedemann Bach, the eldest son of Johann Sebastian Bach, composed the 'Polonaise for keyboard in C major, F. 13 (BR A58)' in the mid-18th century. The exact date of composition is unknown, but it is believed to have been written between 1740 and 1760. The piece was first published in 1894 as part of the Bach-Gesellschaft Ausgabe, a complete edition of J.S. Bach's works. The 'Polonaise for keyboard in C major' is a single-movement work that is characterized by its lively and dance-like rhythm. As the title suggests, the piece is written in the polonaise style, a popular dance form in the 18th century that originated in Poland. The polonaise is typically written in triple meter and features a distinctive rhythm that emphasizes the second beat of each measure. The 'Polonaise for keyboard in C major' begins with a bold and energetic theme that is introduced by the right hand. The left hand provides a steady accompaniment that emphasizes the second beat of each measure, giving the piece its characteristic polonaise rhythm. The theme is then repeated with slight variations, and the piece continues with a series of contrasting sections that explore different harmonies and textures. One of the most notable features of the 'Polonaise for keyboard in C major' is its use of chromaticism. Throughout the piece, Wilhelm Friedemann Bach employs chromatic harmonies and melodic lines that add a sense of tension and drama to the music. This use of chromaticism was a hallmark of the Bach family's style, and it is particularly evident in the works of Wilhelm Friedemann and his father, J.S. Bach. Overall, the 'Polonaise for keyboard in C major, F. 13 (BR A58)' is a lively and engaging work that showcases Wilhelm Friedemann Bach's skill as a composer. Its use of the polonaise style and chromaticism make it a unique and memorable addition to the keyboard repertoire.

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