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Robert de Visée
Gigue and Double de la Gigue for guitar/lute
Released Album
 
Works Info
Composer
:
Robert de Visée
Genre
:
Chamber
Style
:
Jig / Gigue
Average_duration
:
3:16
Robert de Visée was a French Baroque composer and lutenist who lived from 1655 to 1732. He was a prominent figure in the court of Louis XIV, serving as a chamber musician and guitar teacher to the royal family. One of his most famous works is the "Gigue and Double de la Gigue" for guitar/lute, which was composed in the late 17th century. The "Gigue and Double de la Gigue" is a two-movement work that is typical of the Baroque dance suite. The first movement, the "Gigue," is a lively dance in triple meter that originated in England and became popular in France during the 17th century. The "Gigue" is characterized by its fast tempo, syncopated rhythms, and lively, dance-like melody. Visée's version of the "Gigue" is written in the key of G major and features a number of virtuosic passages that showcase the technical abilities of the performer. The second movement, the "Double de la Gigue," is a variation on the original "Gigue" theme. In Baroque music, a "double" is a variation that is played immediately after the original theme. Visée's "Double de la Gigue" is written in the key of D major and features a more complex and ornate melody than the original "Gigue." The "Double" also includes a number of technical challenges for the performer, including rapid arpeggios and intricate fingerings. The "Gigue and Double de la Gigue" for guitar/lute was likely composed in the late 17th century, although the exact date is unknown. The work was likely premiered in the court of Louis XIV, where Visée was a prominent musician. The "Gigue and Double de la Gigue" is one of Visée's most famous works and has been performed and recorded by numerous guitarists and lutenists over the years. Overall, the "Gigue and Double de la Gigue" for guitar/lute is a prime example of Baroque dance music. The work showcases Visée's technical abilities as a composer and performer, and is a testament to the rich musical culture of the French court during the 17th century.
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