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César Franck
Posthumous pieces (44)
Works Info
Composer
:
César Franck
Genre
:
Keyboard
Style
:
Keyboard
Compose Date
:
1858 - 1863
Publication Date
:
1905
Movement_count
:
44
Movement ....
César Franck's "Posthumous Pieces (44)" is a collection of short piano works that were published after the composer's death in 1890. The pieces were composed over a period of several years, and they showcase Franck's unique style and approach to piano music. The collection was first published in 1891, and it includes 44 individual pieces that are grouped into four distinct movements. The first movement consists of 12 pieces, the second movement has 10 pieces, the third movement has 11 pieces, and the fourth movement has 11 pieces. The first movement of "Posthumous Pieces (44)" is characterized by its lyrical melodies and delicate harmonies. Many of the pieces in this movement are marked by a sense of nostalgia and longing, and they often feature intricate arpeggios and cascading runs that create a sense of fluidity and motion. The second movement of the collection is more varied in its style and approach. Some of the pieces in this movement are marked by their playful and whimsical character, while others are more introspective and contemplative. The harmonies in this movement are often more complex and dissonant, and the rhythms are more varied and unpredictable. The third movement of "Posthumous Pieces (44)" is perhaps the most introspective and melancholic of the four. Many of the pieces in this movement are marked by their slow tempos and mournful melodies, and they often feature rich, chromatic harmonies that create a sense of tension and unease. The final movement of the collection is marked by its sense of energy and vitality. Many of the pieces in this movement are marked by their fast tempos and virtuosic passages, and they often feature complex rhythms and intricate counterpoint. Overall, "Posthumous Pieces (44)" is a testament to Franck's skill as a composer and his unique approach to piano music. The collection showcases a wide range of styles and moods, and it remains a beloved and influential work in the piano repertoire.
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