Composer

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Edward MacDowell

Genre

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Keyboard

Style

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Character Piece

Average_duration

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2:47

To a Water-lily, Op. 51/6 is a solo piano piece composed by Edward MacDowell in 1899. It was premiered on January 17, 1900, in New York City by pianist Harold Bauer. The piece is part of a larger collection of piano works called Woodland Sketches, Op. 51, which was inspired by MacDowell's love of nature and the outdoors. To a Water-lily is a single-movement piece that is characterized by its delicate and ethereal quality. The piece begins with a gentle and flowing melody that is meant to evoke the image of a water-lily floating on a calm pond. The melody is accompanied by a simple and repetitive left-hand pattern that creates a sense of tranquility and serenity. As the piece progresses, the melody becomes more complex and expressive, with the right hand playing a series of arpeggios and trills that add a sense of movement and energy to the music. The left hand also becomes more active, playing a series of rolling chords that create a sense of depth and richness. Despite the increased complexity of the music, the overall mood of the piece remains peaceful and serene. The melody continues to evoke the image of a water-lily floating on a calm pond, and the music seems to capture the beauty and tranquility of nature. Overall, To a Water-lily is a beautiful and evocative piece of music that showcases MacDowell's skill as a composer. Its delicate and ethereal quality makes it a popular choice for pianists and audiences alike, and it remains one of MacDowell's most beloved works.

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