Composer

:

Johann Sebastian Bach

Genre

:

Keyboard

Style

:

Fugue

Compose Date

:

before 1751

Publication Date

:

1893

Average_duration

:

1:35

'Das Jesulein soll doch mein Trost, BWV 702' is a chorale prelude composed by Johann Sebastian Bach. It is believed to have been composed in the early 1700s, during Bach's time as the court organist in Weimar. The piece was likely composed for use in church services, as it is a setting of a Lutheran hymn. The piece is in three movements, each of which is based on a different verse of the hymn. The first movement is a gentle and contemplative setting of the first verse, which speaks of Jesus as a source of comfort and hope. The second movement is more lively and joyful, reflecting the text of the second verse, which speaks of the joy that comes from knowing Jesus. The final movement is a slower and more introspective setting of the third verse, which speaks of the peace that comes from trusting in Jesus. One of the most notable characteristics of 'Das Jesulein soll doch mein Trost, BWV 702' is its use of counterpoint. Bach was a master of counterpoint, and this piece is a prime example of his skill in this area. The three movements are all based on the same melody, but each movement features a different set of counterpoint, creating a rich and complex texture. Another characteristic of the piece is its use of ornamentation. Bach was known for his elaborate ornamentation, and this piece is no exception. The melody is adorned with trills, turns, and other embellishments, adding to the richness and complexity of the piece. Overall, 'Das Jesulein soll doch mein Trost, BWV 702' is a beautiful and complex piece of music that showcases Bach's skill as a composer. Its use of counterpoint and ornamentation make it a challenging piece for performers, but also a rewarding one for those who take the time to master it.

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