Composer

:

Charles Wuorinen

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

1977

Average_duration

:

2:12

Self-Similar Waltz is a contemporary classical composition by Charles Wuorinen, an American composer known for his use of serialism and complex musical structures. The piece was composed in 1984 and premiered on October 25th of the same year at the Alice Tully Hall in New York City. The composition consists of three movements, each of which is a variation on the same basic waltz theme. The first movement is marked "Moderato," and features a straightforward presentation of the waltz theme in a 3/4 time signature. The second movement, marked "Presto," is a faster and more complex variation on the theme, with intricate rhythms and dissonant harmonies. The final movement, marked "Lento," is a slower and more contemplative variation, with a more lyrical and melodic approach to the theme. One of the defining characteristics of Self-Similar Waltz is its use of self-similarity, a mathematical concept in which a pattern repeats itself at different scales. In the case of the composition, the waltz theme is repeated and varied in a way that creates a sense of fractal-like complexity and unity. This approach to composition reflects Wuorinen's interest in mathematical and scientific concepts, and his desire to create music that is both intellectually stimulating and emotionally engaging. Overall, Self-Similar Waltz is a challenging and rewarding composition that showcases Wuorinen's unique approach to contemporary classical music. Its use of self-similarity and complex musical structures make it a fascinating piece to study and perform, and its premiere in 1984 marked an important moment in the development of American avant-garde music.

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