Composer

:

William Byrd

Genre

:

Choral

Style

:

Motet

Average_duration

:

3:05

Assumpta es Maria is a sacred motet composed by William Byrd, an English composer of the Renaissance era. The piece was composed in the late 16th century, around 1590, during the reign of Queen Elizabeth I. It is a six-part motet, written for two sopranos, alto, tenor, baritone, and bass voices. The piece was first performed in the Chapel Royal, London, and was later published in Byrd's collection of Gradualia, a series of motets for the liturgical year. The motet is dedicated to the feast of the Assumption of the Virgin Mary, which is celebrated on August 15th. Assumpta es Maria is divided into three movements, each with its own distinct character. The first movement is a joyful and celebratory setting of the text "Assumpta est Maria in caelum" (Mary is assumed into heaven). The music is characterized by lively rhythms, bright harmonies, and soaring melodies, reflecting the exultant nature of the text. The second movement is a more contemplative setting of the text "Gaudeamus omnes in Domino" (Let us all rejoice in the Lord). The music is slower and more introspective, with rich harmonies and expressive melodies that convey a sense of reverence and awe. The final movement returns to the joyful character of the first, with a lively setting of the text "Et exultet terra" (And let the earth rejoice). The music is marked by energetic rhythms, lively counterpoint, and exuberant melodies that convey a sense of jubilation and triumph. Overall, Assumpta es Maria is a masterful example of Byrd's skill as a composer of sacred music. The piece showcases his ability to create music that is both technically complex and emotionally expressive, while also serving the liturgical needs of the church.

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