Composer

:

Jean de Sainte-Colombe

Genre

:

Chamber

Style

:

Chaconne

Average_duration

:

10:45

Jean de Sainte-Colombe was a French composer and viola da gamba player who lived during the Baroque period. He is known for his contributions to the development of the viola da gamba as a solo instrument, and for his innovative use of the instrument in chamber music. One of his most famous works is the Concert in G minor for 2 equal bass viols No. 48 Le raporté. The Concert in G minor for 2 equal bass viols No. 48 Le raporté was composed by Jean de Sainte-Colombe in the late 17th century. The exact date of composition is unknown, but it is believed to have been written sometime between 1680 and 1700. The piece was premiered in France, likely in the court of Louis XIV, where Sainte-Colombe was a member of the royal orchestra. The Concert in G minor for 2 equal bass viols No. 48 Le raporté consists of three movements: a slow introduction, a fast and lively second movement, and a final slow and mournful movement. The piece is written for two equal bass viols, which are played in unison throughout the entire work. The viola da gamba was a popular instrument during the Baroque period, and Sainte-Colombe was known for his virtuosic playing on the instrument. The Concert in G minor for 2 equal bass viols No. 48 Le raporté showcases the instrument's rich and expressive sound, as well as Sainte-Colombe's skill as a composer. The first movement of the Concert in G minor for 2 equal bass viols No. 48 Le raporté is marked "Lentement" (slowly) and is characterized by a mournful melody played in unison by the two bass viols. The second movement is marked "Vivement" (lively) and features a fast and energetic melody that is passed back and forth between the two instruments. The final movement is marked "Gravement" (gravely) and is a slow and somber piece that brings the work to a close. Overall, the Concert in G minor for 2 equal bass viols No. 48 Le raporté is a beautiful and expressive work that showcases the viola da gamba as a solo instrument. Sainte-Colombe's innovative use of the instrument in chamber music helped to establish it as a popular instrument during the Baroque period, and his contributions to the development of the viola da gamba continue to be celebrated today.

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