Composer

:

Marc-Antoine Charpentier

Genre

:

Choral

Style

:

Motet

Compose Date

:

1683

Average_duration

:

10:36

Movement_count

:

3

Movement ....

Transfige dulcissime Jesu, H. 251 is a sacred motet composed by Marc-Antoine Charpentier in the 17th century. The piece was composed in 1683 and premiered in the same year in the chapel of the Hôtel de Guise in Paris. The motet is written for four voices, two violins, and continuo. The piece is divided into three movements. The first movement is a solemn and contemplative aria in which the soprano soloist sings the words "Transfige dulcissime Jesu" (Transfigure, most sweet Jesus). The music is characterized by its slow tempo, long phrases, and rich harmonies. The violins provide a delicate accompaniment, adding to the overall sense of reverence and awe. The second movement is a lively and joyful chorus in which the choir sings "Gloria Patri et Filio et Spiritui Sancto" (Glory to the Father, and to the Son, and to the Holy Spirit). The music is characterized by its fast tempo, rhythmic energy, and contrapuntal texture. The violins and continuo provide a lively accompaniment, adding to the overall sense of celebration and exultation. The final movement is a solemn and contemplative aria in which the alto soloist sings the words "O quam suavis est, Domine, spiritus tuus" (O how sweet is your spirit, Lord). The music is characterized by its slow tempo, long phrases, and rich harmonies. The violins provide a delicate accompaniment, adding to the overall sense of reverence and awe. Overall, Transfige dulcissime Jesu, H. 251 is a beautiful and moving piece of sacred music. Charpentier's use of rich harmonies, delicate accompaniment, and contrasting tempos and textures creates a sense of reverence, celebration, and contemplation that is both powerful and uplifting.

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