Composer

:

Antonio Lotti

Genre

:

Miscellaneous

Style

:

Miscellaneous

Average_duration

:

3:22

Antonio Lotti's 'Crucifixus Etiam Pro Nobis' is a sacred choral work that was composed in the Baroque era. The exact date of composition is unknown, but it is believed to have been written in the early 18th century. The piece was likely composed for use in the Catholic liturgy, as it is a setting of the text of the Nicene Creed, which is recited during Mass. The premiere of 'Crucifixus Etiam Pro Nobis' is also unknown, but it is likely that it was first performed in Venice, where Lotti spent most of his career. Lotti was a prominent composer in Venice during the Baroque era, and his music was highly regarded by his contemporaries. The piece is divided into two movements, with the first movement setting the text "Crucifixus etiam pro nobis" ("He was crucified also for us"), and the second movement setting the text "Et resurrexit tertia die" ("And on the third day he rose again"). The first movement is a slow and mournful setting of the text, with the choir singing in a homophonic texture. The second movement is more lively and celebratory, with the choir singing in a polyphonic texture. The characteristics of 'Crucifixus Etiam Pro Nobis' reflect the style of Baroque sacred music. The piece is characterized by its use of polyphony, in which multiple voices sing different melodies at the same time. The music is also highly expressive, with the choir using dynamic contrasts and ornamentation to convey the meaning of the text. The piece is also notable for its use of dissonance, which was a common feature of Baroque music. Overall, 'Crucifixus Etiam Pro Nobis' is a beautiful and powerful example of Baroque sacred music. Its expressive melodies and rich harmonies make it a timeless masterpiece that continues to be performed and appreciated today.

More....