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Benjamin Britten
Oliver Cromwell
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Works Info
Composer
:
Benjamin Britten
Genre
:
Vocal
Style
:
Song: Folk Song
Average_duration
:
0:46
"Oliver Cromwell" is a choral work composed by Benjamin Britten in 1937. The piece was premiered on 5th May 1937 at the Norwich Festival. The work is divided into four movements, each of which is characterized by a different mood and musical style. The first movement, "Cromwell is Dead," is a somber and mournful piece that reflects on the death of Oliver Cromwell. The music is slow and mournful, with the choir singing in a low register. The movement is characterized by its use of dissonance and chromaticism, which create a sense of tension and unease. The second movement, "The Protector's March," is a lively and energetic piece that celebrates Cromwell's life and achievements. The music is fast-paced and rhythmic, with the choir singing in a higher register. The movement is characterized by its use of syncopation and irregular rhythms, which create a sense of excitement and energy. The third movement, "God's Judgement on the Wicked," is a dark and ominous piece that reflects on the religious and political turmoil of Cromwell's time. The music is slow and brooding, with the choir singing in a low register. The movement is characterized by its use of dissonance and chromaticism, which create a sense of foreboding and unease. The final movement, "Cromwell's Anthem," is a triumphant and celebratory piece that reflects on Cromwell's legacy. The music is fast-paced and rhythmic, with the choir singing in a higher register. The movement is characterized by its use of fanfare-like motifs and triumphant harmonies, which create a sense of joy and celebration. Overall, "Oliver Cromwell" is a complex and multi-faceted work that reflects on the life and legacy of one of England's most controversial figures. The piece is characterized by its use of contrasting moods and musical styles, which create a sense of drama and tension. Britten's use of dissonance and chromaticism also adds to the piece's sense of unease and foreboding, while his use of rhythmic motifs and harmonies creates a sense of excitement and celebration.
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