Composer

:

Maximo Diego Pujol

Genre

:

Chamber

Average_duration

:

10:55

Movement_count

:

3

Movement ....

'Tango, Milonga y Final' is a composition by the Argentine composer Maximo Diego Pujol. It was composed in 1996 and premiered in Buenos Aires the same year. The piece is divided into three movements, each with its own distinct characteristics. The first movement, 'Tango', is a slow and sultry piece that captures the essence of the traditional Argentine tango. The melody is carried by the guitar, with occasional interjections from the violin. The rhythm is marked by the percussive sound of the guitar strings being struck, creating a hypnotic effect. The movement builds to a climax before fading away into a gentle coda. The second movement, 'Milonga', is a faster and more upbeat piece that draws on the traditional milonga dance form. The guitar and violin take turns leading the melody, with the guitar providing a rhythmic accompaniment. The movement is characterized by its lively and playful nature, with a sense of joy and celebration. The final movement, 'Final', is a virtuosic showcase for the guitar and violin. The movement is fast and frenetic, with intricate melodies and complex rhythms. The guitar and violin engage in a playful dialogue, with each instrument taking turns leading the melody. The movement builds to a thrilling climax before coming to a sudden stop. Overall, 'Tango, Milonga y Final' is a masterful composition that showcases Pujol's skill as a composer and his deep understanding of Argentine music. The piece captures the essence of the tango and milonga dance forms, while also showcasing Pujol's unique voice as a composer. It is a challenging and rewarding piece for performers and a joy to listen to for audiences.

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