William H. Harris
Fantasia on a theme of Thomas Campion
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Composer:William H. HarrisGenre:KeyboardStyle:KeyboardAverage_duration:11:06Fantasia on a Theme of Thomas Campion is a choral work composed by William H. Harris in 1928. The piece was premiered on October 25, 1928, at the Royal Albert Hall in London, England. The work is divided into three movements, each with its own distinct characteristics. The first movement is marked "Allegro moderato" and is based on the melody of Thomas Campion's song "Never Weather-Beaten Sail." The movement begins with a lively and rhythmic introduction, which leads into the main theme. The choir sings the melody in unison, with the accompaniment of the organ. The movement is characterized by its energetic and joyful nature, with the choir and organ interweaving in a lively dance-like rhythm. The second movement is marked "Andante espressivo" and is based on the melody of Campion's song "When to Her Lute Corinna Sings." The movement begins with a gentle and flowing introduction, which leads into the main theme. The choir sings the melody in a soft and expressive manner, with the accompaniment of the organ. The movement is characterized by its peaceful and contemplative nature, with the choir and organ creating a serene and meditative atmosphere. The third movement is marked "Allegro vivace" and is based on the melody of Campion's song "Now Winter Nights Enlarge." The movement begins with a lively and rhythmic introduction, which leads into the main theme. The choir sings the melody in a lively and energetic manner, with the accompaniment of the organ. The movement is characterized by its joyful and celebratory nature, with the choir and organ creating a festive and exuberant atmosphere. Overall, Fantasia on a Theme of Thomas Campion is a vibrant and dynamic choral work that showcases Harris's skillful use of melody, harmony, and rhythm. The piece is a testament to Harris's ability to create music that is both technically complex and emotionally engaging, and it remains a beloved work in the choral repertoire to this day.More....
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