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Herbert Howells
Te Deum ("For the Church of St. Mary, Redcliffe, Bristol")
Works Info
Composer
:
Herbert Howells
Genre
:
Choral
Style
:
Choral
Compose Date
:
1965
Average_duration
:
11:17
Herbert Howells' 'Te Deum (For the Church of St. Mary, Redcliffe, Bristol)' is a choral work that was composed in 1944. It was premiered on 22nd October 1944 at the Church of St. Mary, Redcliffe, Bristol, where it was written for. The piece is divided into three movements, each with its own unique characteristics. The first movement is marked 'Allegro moderato' and is characterized by its lively and energetic tempo. The choir sings in unison, with occasional harmonies, and is accompanied by the organ. The movement is in a major key, which gives it a bright and uplifting feel. The text is taken from the Latin hymn 'Te Deum Laudamus', which is a hymn of praise to God. The movement ends with a triumphant and joyful 'Amen'. The second movement is marked 'Andante sostenuto' and is much slower and more contemplative than the first. The choir sings in four-part harmony, with the organ providing a gentle accompaniment. The movement is in a minor key, which gives it a more somber and reflective feel. The text is taken from the Book of Common Prayer and is a prayer for God's mercy and forgiveness. The movement ends with a quiet and peaceful 'Amen'. The third movement is marked 'Allegro con fuoco' and is the most dramatic and intense of the three. The choir sings in four-part harmony, with the organ providing a powerful accompaniment. The movement is in a major key, which gives it a triumphant and celebratory feel. The text is taken from the Latin hymn 'Te Deum Laudamus' and is a hymn of praise to God. The movement builds to a grand and majestic climax, with the choir and organ reaching their full power. The movement ends with a resounding 'Amen'. Overall, Howells' 'Te Deum (For the Church of St. Mary, Redcliffe, Bristol)' is a powerful and uplifting choral work that showcases the composer's skill in writing for voices and organ. The three movements each have their own unique characteristics, but together they form a cohesive and impressive whole. The piece is a testament to Howells' faith and his ability to express it through music.
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