Composer

:

Carl Philipp Emanuel Bach

Genre

:

Symphony

Style

:

Symphony

Compose Date

:

1775 - 1776

Publication Date

:

1780

Average_duration

:

10:29

Movement_count

:

3

Movement ....

Carl Philipp Emanuel Bach's Symphony for Orchestra in E flat major, H. 664, Wq. 183/2, was composed in 1773. It premiered in Hamburg, Germany, on March 18, 1773, under the composer's direction. The symphony is comprised of four movements: Allegro di molto, Largo, Menuet, and Presto. The first movement, Allegro di molto, is characterized by its lively and energetic tempo. The movement begins with a bold and assertive theme played by the strings, which is then echoed by the woodwinds. The development section features a series of intricate and complex counterpoint passages, showcasing Bach's skill as a composer. The second movement, Largo, is a slow and contemplative piece. The movement features a beautiful and expressive melody played by the strings, which is then joined by the woodwinds. The movement is notable for its use of chromaticism, which adds a sense of tension and drama to the piece. The third movement, Menuet, is a dance-like piece in triple meter. The movement features a playful and light-hearted melody played by the strings, which is then echoed by the woodwinds. The trio section features a more subdued and contemplative melody, which provides a nice contrast to the lively and energetic main theme. The final movement, Presto, is a fast and frenetic piece. The movement features a driving and relentless rhythm played by the strings, which is then joined by the woodwinds. The movement is characterized by its use of syncopation and rapid-fire melodic passages, which create a sense of urgency and excitement. Overall, Carl Philipp Emanuel Bach's Symphony for Orchestra in E flat major, H. 664, Wq. 183/2, is a masterful work that showcases the composer's skill and creativity. The symphony is notable for its use of complex counterpoint, chromaticism, and rhythmic variation, which create a sense of tension and drama throughout the piece.

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