Francesco Rognoni
Variations on Palestrina's "Vestiva i colli", for viola bastarda, 3 voices & continuo
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Composer:Francesco RognoniGenre:ChoralStyle:VariationsAverage_duration:4:59Francesco Rognoni was an Italian composer and musician who lived during the Renaissance period. He is known for his works for viola bastarda, a type of viola da gamba that was popular during the 16th century. One of his most famous works is the "Variations on Palestrina's Vestiva i colli," which was composed in the late 16th century. The piece is a set of variations on the popular madrigal "Vestiva i colli" by Giovanni Pierluigi da Palestrina. It is scored for viola bastarda, three voices, and continuo. The viola bastarda is a unique instrument that was used primarily in Italy during the 16th century. It is similar to the viola da gamba but has a longer neck and a larger body. The piece is divided into six movements, each of which is a variation on the original madrigal. The first movement is a simple statement of the theme, played by the viola bastarda. The second movement features the three voices singing the theme in a polyphonic texture. The third movement is a variation in which the viola bastarda plays a more elaborate version of the theme. The fourth movement is a variation in which the three voices sing the theme in a more complex polyphonic texture. The fifth movement is a variation in which the viola bastarda plays a virtuosic solo, showcasing the instrument's capabilities. The final movement is a variation in which all the voices and the viola bastarda come together in a grand finale. The piece is characterized by its intricate polyphonic textures, virtuosic viola bastarda solos, and elaborate variations on the original theme. It is a testament to Rognoni's skill as a composer and his mastery of the viola bastarda. The piece premiered in the late 16th century and has since become a staple of the viola bastarda repertoire.More....
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Variations on Palestrina's "Vestiva i colli", for viola bastard, 3 voices & continuo
Vestiva i colli. Modo difficile per suonar alla bastarda
4:36