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Orazio Benevoli
Laudate pueri Dominum
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Works Info
Composer
:
Orazio Benevoli
Genre
:
Choral
Average_duration
:
5:26
Laudate pueri Dominum is a sacred choral work composed by Orazio Benevoli, an Italian composer of the Baroque era. The piece was composed in the early 17th century, and it premiered in Rome, Italy. It is a setting of Psalm 113, which is a hymn of praise to God. The work is divided into six movements, each of which is characterized by its own unique musical style and structure. The first movement is a lively and joyful setting of the opening verses of the psalm, featuring a bright and energetic choral melody accompanied by a lively instrumental ensemble. The second movement is a more contemplative setting of the psalm's middle verses, featuring a slower and more introspective choral melody accompanied by a more subdued instrumental ensemble. The third movement is a lively and rhythmic setting of the psalm's final verses, featuring a lively and syncopated choral melody accompanied by a lively instrumental ensemble. The fourth movement is a more contemplative and introspective setting of the psalm's final verses, featuring a slower and more reflective choral melody accompanied by a more subdued instrumental ensemble. The fifth movement is a lively and joyful setting of the psalm's opening verses, featuring a bright and energetic choral melody accompanied by a lively instrumental ensemble. The final movement is a grand and majestic setting of the psalm's final verses, featuring a powerful and triumphant choral melody accompanied by a grand and majestic instrumental ensemble. Overall, Laudate pueri Dominum is a masterful example of Baroque choral music, featuring a rich and complex musical structure, a wide range of musical styles and textures, and a powerful and uplifting message of praise and worship. It remains a beloved and popular work among choral music enthusiasts and performers to this day.
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Works Music
Released Music
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Laudate pueri Dominum  Laudate pueri Dominum, motet for 16 voices in 4 chorus and basso continuo
5:26
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