Composer

:

Philippe de Vitry

Genre

:

Vocal

Style

:

Motet: Isorhythmic

Publication Date

:

1956

Average_duration

:

2:07

Philippe de Vitry was a French composer, poet, and music theorist who lived in the 14th century. He was one of the most important composers of the Ars Nova, a musical style that emerged in France in the late 13th century and was characterized by complex rhythms, intricate polyphony, and the use of isorhythm. One of Vitry's most famous works is the motet "Tuba sacre fidei/In arboris/Virgo sum," which was composed around 1320. The motet is written for three voices and is based on a text that praises the Virgin Mary and her role in the salvation of humanity. The motet is divided into three movements, each of which has its own distinct character and musical style. The first movement, "Tuba sacre fidei," is a lively and rhythmic piece that features a complex rhythmic structure known as a mensuration canon. The canon is based on a repeating rhythmic pattern that is played at different speeds by each of the voices, creating a complex and intricate web of sound. The second movement, "In arboris," is a more contemplative piece that features a slower tempo and a more homophonic texture. The voices sing in unison for much of the movement, creating a sense of unity and harmony. The final movement, "Virgo sum," is a joyful and celebratory piece that features a lively and dance-like rhythm. The voices sing in a more complex polyphonic texture, with each voice weaving in and out of the others to create a rich and vibrant tapestry of sound. Overall, "Tuba sacre fidei/In arboris/Virgo sum" is a masterpiece of the Ars Nova style, showcasing Vitry's mastery of complex rhythms, intricate polyphony, and innovative musical techniques. It remains a beloved and influential work in the history of Western music.

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