Composer

:

Daniel Pinkham

Genre

:

Choral

Style

:

Choral

Average_duration

:

1:43

Come, Love We God is a choral work composed by Daniel Pinkham in 1959. It was premiered on May 17, 1959, by the Harvard Glee Club and Radcliffe Choral Society, conducted by G. Wallace Woodworth. The piece is written for mixed choir, a cappella, and is based on a text by the 17th-century English poet George Herbert. The work is divided into three movements, each with its own distinct character. The first movement, "Come, Love We God," is a joyful and exuberant setting of Herbert's poem. The choir sings in unison at the beginning, gradually building to a full four-part texture. The music is characterized by lively rhythms and syncopated accents, creating a sense of energy and excitement. The second movement, "The Call," is a more contemplative and introspective setting of Herbert's poem. The choir sings in a gentle, flowing style, with long, sustained phrases and rich harmonies. The music is characterized by a sense of longing and yearning, as the choir calls out to God for guidance and comfort. The final movement, "Love Bade Me Welcome," is a tender and intimate setting of Herbert's poem. The choir sings in a hushed, reverent style, with delicate harmonies and subtle shifts in dynamics. The music is characterized by a sense of intimacy and closeness, as the choir reflects on the love and grace of God. Overall, Come, Love We God is a beautiful and expressive choral work that showcases Pinkham's skill as a composer. The piece is characterized by its rich harmonies, lively rhythms, and expressive melodies, and is a testament to the enduring power of Herbert's poetry.

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